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Baton Rouge AR101S/ACEC-N

Features

  • Image of Icon properties wood
    Back / Sides: Rosewood
    Clear tone, good sustain.
  • Image of Icon properties wood
    Top: Spruce
    Bright tone, excellent projection.
  • Image of Icon properties wood
    Fretboard: Ovangkol
    Resistant to wear, with attractive grain.
  • Image of Icon properties nut width
    Saddle width search: Middle (43 - 46 mm)
    Saddle width 43-46 mm for balanced playability.
  • Image of Icon properties wood
    Neck: Mahogany
    Rich tone, increased sustain.
Product information
General Information
  • Strings: 6 string
  • Country of Origin: China
  • Strings thickness ex factory: .012 - .053
  • Factory Stringing: D'Addario XS Coated Phosphor Bronze Light
Body
  • Body Shape: Auditorium
  • Construction / Acoustic: Solid
  • Scale Length: 25,6" (650 mm)
  • Cutaway: yes
  • Top: German Spruce
  • Back / Sides: Santos Rosewood
  • Binding: Maple
  • Bridge: Ovangkol
  • Saddle/Cross piece inlay: Bone
  • Body finish: Satin
Neck
  • Neck: Mahogany
  • Neck finish: Satin
  • Fretboard: Ovangkol
  • Nut Width: 43,0 mm
  • Frets: 20
Hardware
  • Pickup Details: Cole Clark PG3mk2
  • Pre-amp system: Cole Clark PG3mk2
Finish
  • Color/ Finish: Natural
  • Finish: Satin
  • Finish: Matt
About Baton Rouge

Baton Rouge Guitars was founded in the early 1980s by Gunther Reinhardt, a guitar teacher who was searching for a high‑quality yet affordable guitar for his students. Out of that need came his vision and the brand.

Baton Rouge places special emphasis on innovation and progress in developing its extensive range of instruments. Today there is a large selection of acoustic guitars and ukuleles. The range is continually expanding and is also sold successfully internationally. Over two decades Baton Rouge has developed into one of the leading acoustic guitar brands.

Whether you’re a beginner or an advanced player, Baton Rouge’s high‑quality instruments are a wonderful choice for anyone looking for an affordable yet well‑made guitar or ukulele.

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