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Kurzweil SP7 Grand B-stock
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The Kurzweil SP7 Grand was developed based on the new ATST synthesis platform and marks a new era in Kurzweil technology. ATST is based on the semiconductor specially developed by Kurzweil and offers high-fidelity audio, optimized sound programming and smooth velocity layer transitions as well as a 2x oversampling filter.
The Kurzweil SP7 Grand offers 307 presets divided into 13 categories and features a German 9-foot concert grand piano derived from the K2700.
In addition, the grand pianos in the Kurzweil SP7 Grand are further improved with strings and pedal resonance modeling, envelope and velocity-controlled key-off samples, and half-damper pedal function, offering an even better piano playing experience.
Discover the TP110 keyboard, equipped with the latest technology from Fatar, the world's leading piano keyboard manufacturer.
The Kurzweil SP7 Grand offers 16 performance zones for creating your own sound split/layer combinations as well as a variety of customizable controllers.
The SP7 Grand Hybrid Arpeggiator combines both a step sequencer and a note arpeggiator. This evolution of the classic arpeggiator design can create numerous musical phrases and patterns.
The pitch of the microphone input is automatically stabilized and the vibrato and legato qualities of the signal are adjusted. Further process your vocals and automatically generate up to four-part harmonies in real time as well as vocoder-like effects.
Navigate the Kurzweil SP7 Grand via its elegant, high-resolution 7″ color LCD touchscreen with 1024 x 600 pixels.
The 2-in-2-out 24 bit/48 kHz audio interface can be easily connected to your Mac/PC via USB . The loopback functionality further expands the production possibilities.
With the SP7 Grand's pitch/mod joystick, 8 knobs, 8 buttons, 2 switch pedal inputs and continuous control pedal input, you have plenty of hands-on controls and modulation options at your disposal.
- Multitimbral: 16 parts (1 per midi channel)
- 2 GB factory sounds
- 301 factory programs
- 512 factory multinationals
- 128 user multis
- 16 multi-zones
- 4-band master EQ
- 2 Aux FX buses
- Vocal pitch correction
- Vocal Harmony Generation
- 1 pitch/mod joystick
- 8 knobs
- 8 buttons
- 2 transpose switches
- Arpeggiator
- system Sample Rate: 48kHz (max 192kHz)
- system Bit Rate: 48 bit (fixed point)
- integrated USB audio interface: 2-in/2-out; 24-bit/48kHz
- SD card slot
- Aftertouch: No
- Connections: 2x In (XLR/TRS combination socket), 4x Out (Main/Monitor, 6.3 mm TRS), 1x headphones (mini jack), midi In/Out, USB- midi, 3x pedal inputs
- Dimensions (WxHxD): 132x12x37cm
- Display: 7″ color LCD touch screen display
- Effects: Reverb, delay, chorus/Flanger, Rotary Speaker, Vibrato, tremolo, Auto Wah-Wah, Compression, Noise gate, Dist/Ovd/Tube/Fuzz, Bit Crusher, 4-Band EQ and much more
- Hammer action: Yes
- Including: Sustain pedal, mains adapter, USB cable, 6.3 mm TRS cable
- Keyboard: Fully weighted hammer action, Fatar TP/110 keyboard
- Keys: 88
- Piano effects: Strings and damper resonance
- Polyphony: 256 votes
- Sound generation: ATST (Authentic Timbre Synthesis Technology) synthesis
- Weight: 16.3kg
The corporate history of Kurzweil Music Systems begins in 1976 with a meeting between Stevie Wonder and Raymond “Ray” Kurzweil . After completing his studies, he invented the world's first reading machine, which enabled blind people to have printed text read aloud automatically and Stevie Wonder was the first customer for this device.
Over time, the two became good friends and had many conversations, including about areas of application in the music industry that were possible thanks to technology .
This challenge piqued the interest of Raymond, who shortly afterwards founded the company Kurzweil Music Systems in 1983. In the same year, a first prototype was presented at the NAMM, which resulted in the first examples of the K250 and was delivered a year later. At the beginning there was a lot of skepticism as to whether an electronic device could really replicate the sound of an acoustic piano, but after some A/B comparisons with real pianists, the answer was clear: “Yes!” But what made the K250 so special? The synthesizer came with an 88-key weighted keyboard, 12-note polyphony and 2 MB of ROM on which the internal samples were stored. These features were considered special for the time.
However, Kurzweil did not rest on its laurels and instead continuously advanced the technology over the years. Of course, this was also noticed in musical circles, which made the Kurzweil controllers and synthesizers welcome guests on stages and studios around the world.
In 1990 the company was taken over by the Korean piano maker Young Chang, who continues to produce the instruments in the USA to this day in the same high quality.
Real bestsellers and crowd pullers from Kurzweil include the two flagships K2700 and the brand new SP7 Grand . With their 88 weighted keys of the hammer action keyboards, authentic sounds / tones and professional features, they know how to delight studio and live keyboardists alike. A complete list of features and video content can be found on the respective product detail pages.
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